Inspired by the unfettered feeling of the acoustic performances filmed during Heima, Sigur Ros adopted a looser approach in creating their fifth album Med Sud I Eyrum Vid Spilum Endalaust. The album consequently is fresher and more human than anything they've previously recorded. Rough edges, cracked notes, and the sound of fingers on strings are audible resulting in tracks (e.g. Illgresi?) that prove to be the band's sparsest and most affecting work to date. Worry not though, plenty of electric guitar can be heard throughout the album ensuring Sigur Rós' commitment to challenging sonic limitations. Med Sud I Eyrum Vid Spilum Endalaust is truly a groundbreaking album for Sigur Ros. It's the first time they've attempted to write, record, mix, release and support (by touring) an album in the same year. Notoriously known for their laborious writing/recording style and their Icelandic roots, Sigur Ros decided to record an album outside of Iceland for the first time. Recording, mixing and mastering sessions took place in such un-Reykjavik cities as New York (Sear Sound and Sterling Sound), London (Abbey Road and Assault & Battery) and Havana. The result is pretty much their "leave home" album, the anti-Heima.


1 - Gobbledigook          　
2 - Inní Mér Syngur Vitleysingur         　
3 - Góðan Daginn         　
4 - Við Spilum Endalaust         　
5 - Festival         　
6 - Með Suð í Eyrum         　
7 - Ára Bátur         　
8 - Illgresi         　
9 - Fljótavík         　
10 - Straumnes         　
11 - All Alright

http://www.myspace.com/sigurros

[ Last edited by Self on 2008-6-25 at 01:48 AM ]

我前幾天聽到廣播
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